But even that did not help her. It seemed in some mysterious way to be no longer her room, but the room of someone she had known and half forgotten: who would never come back. It gave her the same feeling she had experienced on returning to the house in London: that the place was haunted. The high cheval glass from her mother’s dressing-room had been brought there for her use. The picture of an absurdly small child—the child to whom this room had once belonged—standing before it naked, rose before her eyes. She had wanted to see herself. She had thought that only her clothes stood in the way. If we could but see ourselves, as in some magic mirror? All the garments usage and education has dressed us up in laid aside. What was she underneath her artificial niceties, her prim moralities, her laboriously acquired restraints, her unconscious pretences and hypocrisies? She changed her clothes for a loose robe, and putting out the light drew back the curtains. The moon peeped in over the top of the tall pines, but it only stared at her, indifferent. It seemed to be looking for somebody else. Mr. McKean shook her hand vigorously without looking at her.!

“Are you never coming again?” asked the child. He drove her back to Paris, and she promised to come and see him in his studio and let him introduce her to his artist friends.

“Flossie engaged!” Joan seemed surprised. “Tell me about her,” she said. “I never knew she had been an actress.” “I started out to preach the gospel: all that sort of thing,” drawled a Miss Simmonds from beneath a hat that, if she had paid for it, would have cost her five guineas. “Now my chief purpose in life is to tickle silly women into spending twice as much upon their clothes as their husbands can afford, bamboozling them into buying any old thing that our Advertising Manager instructs me to boom.”